07 3391 2006 [email protected]

The Bowery Hot Five

This time last weekend, we were closed….in anxious anticipation of Tropical Cyclone Alfred.

Thankfully, Alfred has now been and gone. And left us with no damage!!

But amazingly…beautifully…with no boats and ferries, and no breeze or tidal movement, tonight, he left us with a river that was like a mill pond, a mirror. All glass.

 

And who better to provide the perfect vibe for such a magical night……?

The Bowery Hot Five. All class.

John Reeves          Piano and piano accordion

Mal Wood             Trumpet, flugelhorn and vocals

A.J. Hall               Double bass

Zac Curran           Tenor saxophone

Steve Francis        Drums

And what a night it was!!

From the opening instrumental as the Bowery Hot Three, with piano, bass and drums. Through the first set as the Bowery Hot Four, without sax player, Zac. And into the second set, as the complete Bowery Hot Five. They delivered it all for an enthusiastic and grateful audience, in one big, beautiful night to remember!!

Of course, you will already know that Mal Wood is the consummate Showman …with or without his trumpet. And tonight, as Mal walked on, Steve, from the drum kit, successfully flicked a hat straight on to Mal’s head with a drop shot that the Harlem Globe Trotters would gladly claim as their own….

…see what I did there? That slick little segue into their first number?

Yep. It was Sweet Georgia Brown. And, wow, hat-trick aside, it left me wondering, just how does Mal push so much into, and squeeze so much out of, that trumpet?

Needless to say…via Mal’s frequently fractured lyrics…for a while, the song became Sweet Stevie Francis….

Across the evening, they gave us classics such as Pennies from Heaven, and a very Chet Baker-esque, My Funny Valentine….with each band member giving us regular, and generously, sincerely, applauded solos.

And for renowned local Jazz musician, Educator and former BJC Treasurer, Mr. Ian Cook, they played Darktown Strutters Ball…during which, John added a sparkling Stride improv and Mal added a final touch…with a burst of vocal through his Harmon mute.

When later, Mal switched to the flugelhorn, he explained that the instrument had originally belonged to the late, great Brisbane trumpet-player, Rick Price. Mal’s father, Steve, who had been a friend and contemporary of Rick’s, had bought it for Mal.

After asking if there were any requests, the band played Summertime, with Mal on the flugelhorn …dedicating it to Rick Price’s late wife, Barbara, who had been a Volunteer at the Club for many years.

During the break between sets, saxophonist Zac announced his arrival from the Sunshine Coast, by standing alone on the stage with his tenor sax, to give us an inspired and beautiful improv piece, which he later felt deserved a title: Being; living.

And then, stepping into Zac’s shoes, (or at least, sitting on the piano stool), John Reeves also gave us a man-alone solo effort, on his jet-black Bugari button accordion. A touch of gay Paris;  J’Attendre, (I Wait).   A veiled reference to last weekend and Alfred, perhaps?

The second set included a Tango-styled version of Black Magic Woman, with Mal doing his best Carlos Santana on the trumpet. And when it was time to get a little more mellow and introduce a touch of the sublime, Mal picked up the Tibetan singing bowl.

After several softly resonant strokes of the bowl, Steve came in on the drums….AJ on the bass….Mal on the flugelhorn….Zac on the sax. The band slowly, sweetly, built up a beautiful improv around the word ‘Hope’…and the sweet sound of that bowl. A perfect companion to the glassy, peaceful, mirrored surface of the river outside.

Of course, the fractured lyrics and Mal-sian frivolity made regular appearances across the evening, climaxing with his commandeering of a battery-powered three-wheeler, which he drove on to the stage….to be stopped only by a sizeable and fortuitously placed foldback speaker!!

The band’s first Encore was a rousing version of Bye Bye Blackbird…for which audience participation was requested…and enthusiastically provided.

And the final Encore, I’m Coming Home, was called for, and delivered, at the generally unheard-of time of 10.15pm!!  (The big stage hook must have been put away during the flood threat. We couldn’t get Mal off!!)

But oh, what an amazing evening.

As I said earlier…on the outside, the Brisbane River. All Glass!!  On the inside, The Bowery Hot Five. All Class!!

Thank you, guys!!

Alan Smith

Brisbane Jazz Club

The Justin Stephenson Ensemble

The Justin Stephenson Ensemble

If you are going to take on the songs of one of the best Showmen ever, you had better be good. And you’d best be dressed for the occasion too.

And if you are trying to recreate the big-band party atmosphere of a Stevie Wonder performance at Madison Square Gardens, then you are also going to need to have a very good set of musicians behind you.    

Well.  Tick. Tick. Tick.  Tonight, we got it all!!

We had Justin Stephenson at the mic, in his grooviest outfit and cornrow-braided hair… switching between the keys of the Club’s Yamaha Grand and his Yamaha Motif M06.

And we had Nathaniel Andrew on guitar…Max Stowers on bass…James Sandon on drums…Danny Guerrero on congas/percussion…Dyon Tahana on alto sax…Ash Hutton on tenor sax…and Ben Oldham on trumpet…

…an amazing, powerful and entertaining combination that had the BJC pumpin’ to Stevie Wonder’s best, all night!!

Now, you will certainly know that Stevie has written and recorded a mountain of great music. However, you may not know that, so far, he has released 23 studio albums, three soundtrack albums, four live albums, 11 compilations, one box set, and 91 singles.

And yet, somehow tonight, out of all of that, Justin and his band were able to pick out two of Stevie’s best albums…and treat us to every song from both.

First, they gave us Hotter Than July, (which is quite appropriate, because in Brisbane, February is indeed, much hotter than July).

Every track was featured and all were thunderously applauded, particularly, of course, the biggest numbers from that album; ‘Master Blaster (Jammin’), ‘Lately and ‘Happy Birthday’.

And then they gave us Innervisions, again featuring every track, and again bringing the house down with classics such as ‘Living for the City’,’Higher Ground’ and ‘All In Love Is Fair’.

And it is oh, so obvious that Justin genuinely loves, respects, feels and lives Stevie’s social conscience and the way it is all laid out in his songs. Indeed, right across the night, Justin provided beautifully connected, moving commentary on the story and context for each song. Thank you.

And when it was all over, the eight of them took it out with a very unusual and memorable flourish.

Even though the ‘last’ song didn’t finish until well past Showtime, the audience was absolutely not about to let them go without an encore. And when Michael, the night’s Duty Manager, decided it was probably wiser, and perhaps safer, ☺️ to have the encore, the joint was absolutely jumpin’ and alive with dancers and wavers.

Most of the full house crowd, up on their feet for that encore, ‘Isn’t She Lovely?’

What a night!!

Alan Smith                                                              

Brisbane Jazz Club

Funky Miracle

Funky Miracle

Oooh!!   Hear that?   Feel that? 

The rumblin’ in the floor….?   The rattlin’ in the roof….?    The risin’ of the river ….?

Well….that is Dr. Bob Harley’s big, slappin’ bass!!   

And it’s no coincidence that our river is rising tonight…..’cos there is a Funky Miracle happening here at the Brisbane Jazz Club!!

Playin’ that funky music and weaving their magic alongside Dr. Bob….that’s Steve Francis at the drum kit. Harvey Blues and his wailing wah-wah guitar. Wil Sargison at the Hammond and Yamaha keys. Neil Wickham and Mal Wood in the Horn Section. And those oh, so glorious, powerful and passionate vocals from Stacey Hoy and Ashleigh Denning.

Yep. This huge, multi-layered funkopated sound meant that for this one big night, we were gonna be Brisbane’s Home of Live Funk!!

And they gave us a giant funkburger with the lot!! They were all there….absolute Funk classics….from the likes of Sly and The Family Stone, Graham Central Station, Average White Band, The Meters, Bill Withers, Isley Brothers and Professor Longhair….alongside touches of Stevie Wonder, Jamiroquai, and even, surprisingly, Joni Mitchell!!

Thank you, all eight of you, for giving us a thumping great night of get-up-and-dance. We loved it.

And thanks for putting the place back together again, when you left!!

 

Alan Smith
Brisbane Jazz Club

Vicki Salisbury Trio and Friends Thursday January 9th, 2025

Vicki Salisbury Trio and Friends Thursday January 9th, 2025

Welcome to 2025….and our first Thursday night gig of the year!!

And what better place to get the New Year ball rolling, than riverside at the Brisbane’s Home of Live Jazz….with The Vicki Salisbury Trio and Friends.

Let me introduce you. They are:

Vicki Salisbury                                                    Lead vocals.

Dr. David Salisbury                                            Saxophone, flute, vocals.

Larry Thompson                                                 Keyboards, pedal bass, vocals.

Greg Stroud                                                         Guitar.

Callum Pascoe                                                     Drums.

Husband and wife duo, Vicki and David are originally from the USA; New York/Arizona and Los Angeles, respectively. They were performing together regularly, long before they arrived and initially settled in Melbourne in 1993.

12 years after that arrival, they met national/international keyboard maestro, Larry Thompson, in Townsville. These three musical soulmates have been performing together ever since: each bringing a unique set of skills….

Vicki’s vibrant and joyful stage presence is inspired by her mother’s career as a performer in musical theatre, big bands and smaller ensembles…and the love that gave her for The Great American Songbook.

Dr. Dave’s saxophone and flute float through every piece, tight and sweet; a vital ingredient of the trio’s sound.

And while Larry at the keys, glides effortlessly through most styles of music, his Big Love is Modern Jazz. He loves nothing more than taking a well-known Rock song and expertly re-crafting it as Jazz.

Larry also happens to be attached to a manic left foot, which is in constant movement across the switches of his pedal bass, delivering that crisp and driving bass line.

And each of them composes their own original tunes, drawing upon influences from their personal journeys through a range of musical styles, including Pop, Rock, Latin and Jazz.

So, Yes!!, as was evident tonight; the success of this trio is absolute proof of the old adage, that the whole is greater than the sum of the parts!!

But wait. There’s more!!

This evening also featured two special guests…

Greg Stroud’s chilled, smooth guitar playing style is known and loved, far and wide, bringing a touch of class to performances with solo artists, duos, combos and big bands in Melbourne, Sydney/Newcastle, Brisbane and North Queensland.

And that’s Callum Pascoe at the kit. A Brisbane local, Callum is drummer in a number of ensembles, including the Queensland Youth Orchestra Big Band, with whom he plays locally and nationally, giving him the invaluable experience of performing alongside greats such as James Morrison, Darren Percival, Andy Firth, and others.

What a night you all gave us!! Five individually great musicians in perfect sync, across two inspired sets of beautifully paced and arranged vocals, instrumentals, home-grown numbers, and a sprinkle of classics.

Thank you, Vicki, David, Larry, Greg and Callum. Please come back soon!!

Alan Smith                                                              

Brisbane Jazz Club